编辑: 枪械砖家 2019-07-07

3 Introduction: In August, 2013, the first publication plan of Li Xianting's Film Fund is officially issued, which takes Cai Mingliang from Tai Wan, Yang Fudong from mainland China and Indian Raqs media group as case studies, and "Film and contemporary art" as its theme. The plan attempts to deal with the status quo of practice and frontier theory of contemporary cinema/ filmology, which is crossing boundaries increasingly. 未来电影:当代亚洲的活动影像艺术――暨栗宪庭电影基金系列新书发布 主持:董冰峰 策展人和制作人,栗宪庭电影基金艺术总监 时间:2013 年8月27 日14:00 - 17:00 地点:尤伦斯当代艺术中心报告厅 ? 列席发言: ? 舒德哈巴拉特?森古普塔 印度 Raqs 媒体小组成员之

一、艺术家、电影工作者、媒体实践者、策 展人、研究者、编辑. 孙松荣 巴黎十大电影学博士、台湾台南艺术大学教授、 《蔡明亮:从电影到当代/艺术》作者 栗宪庭 著名艺术批评家、艺术理论家,著名策展人,栗宪庭电影基金创立人 陈韵 "西天中土"项目研究员和执行人 张业宏 北京蜜蜂智爱文化传媒有限公司总经理,蜜蜂出版总编辑、北京蜜蜂书店创始人. 论坛简介: 自2012年起,栗宪庭电影基金的出版计划,就正式以"电影与当代艺术"为主题,展开和邀请一 系列的研究、写作和出版计划.至2013年,首度推出第一个系列,出版了分别来自台湾、内地 和印度的三个个案研究成果: 《蔡明亮:从电影到当代/艺术》 、 《杨福东:似水留影》和《Raqs 媒体小组:动力沉思》 . 本次论坛,与栗宪庭电影基金出版计划相关嘉宾将落座 UCCA,以跨领域、跨学科的当代电影 艺术实践与理论研究的可能性为谈论重点,以"亚洲"视角,区别电影、艺术历史中的"西方", 阐释全球论述中的边缘化角色和主动的动态的演变. 自2012年起,栗宪庭电影基金的出版计划,就正式以"电影与当代艺术"为主题,展开和邀请一系列的研究 ? ? ? Future Cinema:Moving Image in Contemporary Asia - Li Xianting's Film Fund New Book Launch and Forum Moderator: Dong Bingfeng - curator, producer, and Art Director of Li Xingting's Film Fund Time: August 27, 2013, 14:00 - 17:00 Venue: UCCA Auditorium ? Guest Speaker: ? Shuddhabrata Sengupta - one member of Raqs Media Group (India), artist, filmmaker, media practitioner, curator, researcher and editor. Chen Yun - Researcher and Project Executive for West. Sing Song-yong - PHD in Film Studies at Nanterre University Professor of Tainan National University of Arts. He is also the author of "Tsai Ming-liang: From Cinema to Contemporary/Art". Li Xianting - famous art critic, art theorist, curator and founder of Li Xianting'S Film Fund. Zhang Yehong - General manager of Beijing Beepub Media & Culture Publishing Co.,Ltd, chief editor of Beepub Publishing Company and founder of Beijing Beepub Bookstore. Instruction: The Li Xianting's Film Fund has been officially carrying out and inviting a series of research, writing and publishing projects with a theme of "Film & Contemporary Art" since 2012. By 2013, the first series is published, including three case study results from Taiwan, mainland China and India, namely," "Tsai Ming-liang: From Cinema to Contemporary/Art" "Yang Fudong: Like Water Leaving Traces" "Raqs Media Collective:Kinetic Contemplations" The forum will focus on the feasibility of interdisciplinary practice and theoretical research of contemporary film. From the perspective of "Asia", they will distinguish "the west" in film and art history and interpret the evolution of marginal roles and active dynamics in global discourse. ?

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