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艺术品市场 Fingerprint points to $19,000 portrait being revalued as ?100m work by Leonardo da Vinci 指纹点从19000美元升值到1亿?的肖像是莱奥纳多・达芬奇的作品

12 October

2009 2009年10月12日ATG correspondent SIMON HEWITT gains exclusive access to the evidence used to unveil what the world'

s leading scholars say is the first major Leonardo Da Vinci find for

100 years.

署记者西蒙休伊特获得互斥访问证据,这个证据用来揭开世界领先的学者为什么认为这是奥纳多・达・芬奇的第一个主要的发现达100年之久. Is this

13 x 9in (33 x 24cm) portrait, in chalk, pen and ink on vellum, mounted on an oak board, a long-lost work by Leonardo da Vinci? That is the claim being made by Martin Kemp, Emeritus Professor of History of Art at Oxford University. 这是13乘以在(33 x 24cm)肖像,用粉笔,笔和墨水写在牛皮纸上,装好在一个橡木板、这难道就是一个失去已久的奥纳多・达・芬奇的工作吗?这种说法被马丁粗毛,这个教艺术史的已从牛津大学退休的教授声称. Catalogued as German, early 19th century and sold for $19,000 at Christie'

s New York in the late 1990s, new scientific techniques have uncovered evidence that has convinced a growing number of the world'

s leading Leonardo scholars that it is a previously unrecognised work. 把它定为 德国,19世纪初, 并且在佳士得纽约以1美元的价格卖出,在20世纪90年代后期,新的科学技术已发现使越来越多的证据使世界领先的列奥纳多学者信服,这是先前没有发生过的. ATG have had exclusive access to that scientific evidence and can reveal that it literally reveals the hand C and fingerprint C of the artist in the work. 署独自访问,表明科学的证据并且透露说,它揭示了艺术家的工作中的手-和指纹. The fingerprint is highly comparable to one on a Leonardo work in the Vatican. 在梵蒂冈指纹是在工作中 高度 的象征. Professor Kemp'

s assertion is backed by scientific evidence obtained by the revolutionary multispectral camera pioneered by Lumière Technology of Paris. 坎普教授的主张被科学证据支持并且包括所获得的多光谱 相机也是由光线技术在巴黎合成的. Peter Paul Biro, the Montreal-based forensic art expert, examined the multispectral images and found a fingerprint near the top left of the work, corresponding to the tip of the index or middle-finger, and highly comparable to a fingerprint on Leonardo'

s St Jerome in the Vatican (which, stresses Biro, is an early work from a time when Leonardo is not known to have employed assistants). 彼得保罗,是总部设在蒙特利尔的法医艺术专家,进行多光谱图像,发现了一枚指纹的左侧附近工作,对应的顶端,middle-finger指数与 高 对一个指纹在达文西的圣杰罗姆在罗马教廷(强调保罗,早期作品的时期,达?芬奇本人也不知道任用的助理). A palm-print in the chalk on the sitter'

s neck is also consistent in application to Leonardo'

s use of his hands in creating texture and shading , adds Biro, who is credited with pioneering fingerprint studies to help resolve authentication and attribution issues of works of art. 用一个粉笔写在模特的脖子 也保持了一致的应用对达文西的使用他的手创造纹理和阴影 ,还有保罗,谁因开拓研究,帮助解决指纹认证与归因问题的艺术作品的人. The Lumière camera has already been used to analyse Leonardo'