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文场仅用京胡、月琴、三弦,不用京二胡、阮弦)、以京剧盛期「正 工老生」必须具备的「正宫」调门,演唱最挂味儿的大段二黄. 欢迎各位亲爱的观众,您好: 「国家表演艺术中心」於2014年四月正式成立.本中心所属的场馆包括台北的国家两厅院、台 中国家歌剧院、高雄的卫武营国家艺术文化中心.我们期盼由这北中南串起的平台成为大家所 爱的表演艺术大家庭.诚挚地邀请您来一同参与! 国家表演艺术中心董事长 Welcome The National Performing Arts Center opened in April, 2014. Our Center, which embodies the National Theater & Concert Hall in Taipei, the National Taichung Theater and the National Kaohsiung Center for the Arts, is dedicated to providing a platform for the performing arts connecting the whole of Taiwan. We welcome you to become part of our performing arts family. Chairman, National Performing Arts Center 2戏曲大师裴艳玲《寻源问道》 Arts of Chinese Traditional Opera 3戏曲大师裴艳玲《寻源问道》 Arts of Chinese Traditional Opera 《洪洋洞》是京剧老生的「高级戏」.由於「二黄」的行腔不似「西皮」激昂且板式变化强烈, 剧中杨延昭病入膏肓,几乎没有身段,可以说演员於唱於作,都难以「炫技」,必须在平淡中表现冲 突,而这里的冲突又非戏剧性的冲突,而是在绝望地「反抗死亡」.裴艳玲将示把死亡唱得「绝无冷 场」,同时又不致让观众觉得角色「太有气力,死不了」. 导演、制作群、演员介绍 裴艳玲 1947年生於河北.本名裴信,从艺后取名裴艳玲.以京剧老生开蒙,先后师从李崇帅、崔盛斌、郭 景春、侯永奎、李少春等;

是跨足京剧、梆子、曲,文武乱不挡的全方位艺术家,中国文艺奖、文 华奖、梅花大奖、白玉兰特殊贡献奖得主. 父亲裴元为京剧武生,继母袁喜珍为著名河北梆子旦角演员,从小在草台班子玩耍长大,5岁救场演 出《金水桥》秦英一角,崭露天分;

7岁拜李崇帅为师,以京剧老生开蒙,兼习武生;

9岁起在山东乐陵 县等京剧团挑梁,每月工资高达800元人民币. 1959年,河北省政府为了扶植地方剧种,将裴艳玲调往河北梆子青年跃进剧团,三十多年间,以女 武生形象走红,带起河北梆子盛况;

1997年,河北省京剧院裴艳玲剧团成立,重返京剧圈;

2004年,出 任河北省京剧院院长,潜心钻研余派老生唱腔,近年并发表《响九霄》、《赵佗》等新编戏. 丹麦欧丁剧场导演尤金尼奥.芭芭Eugenio Barba曾说:「我们很爱裴艳玲,对我来说,中国就是裴艳 玲」;

法国阳光剧团的莫虚金Ariane Mnouchkine导演,也早在1980年代就连年邀请裴艳玲教学.中国著名 剧作家曹禺称裴艳玲「国宝」,日本人则称裴艳玲为「人间国宝」.裴艳玲代表作:〈夜奔〉、《锺馗》、 《武松》、《南北和》、《哪吒》、《宝莲灯》等,被誉为「活林冲」、「活锺馗」、「活武松」. 其他演员介绍 张慧敏 国家一级演员,工花旦、闺门旦,第二十二届中国戏剧梅花奖得主.毕业於河北省艺术学校,师从李 艳秋、齐兰秋、刘淑文、周长云、王德新等,后拜著名京剧表演艺术家宋长荣为师,宗荀派.曾获河北省 第

五、七届戏剧节演员一等奖、河北省第七届戏剧百花奖戏剧理论一等奖. 杨汗如(特邀) 国立台北艺术大学剧研所MFA,曲传习计画艺生班、岳美缇巾生艺术研修班结业,师承岳美缇、 蔡正仁、计镇华、汪世瑜等名家.为水磨曲集、台湾剧团、1/2Q剧场小生演员.主演实验剧作品曾 四度获选台新艺术奖年度十佳,其中《乱红》荣获第十一届评审团特别奖. 魏建平 毕业於河北省艺术学校,工武丑.拜武丑名家张少华学习〈盗甲〉、〈盗银壶〉、〈借扇〉、〈打 瓜园〉等,曾获首届中国戏剧红梅奖二等奖、河北省青年戏曲演员赛优秀表演奖. 【制作单位简介】 成立於1945年的冀中实验剧团,经历数次改组,2013年更名为河北省京剧艺术研究院.剧院成立以 来,在不同时期拥有卓有成就的艺术家,如四小名旦之一的宋德珠及著名表演艺术家杨荣环、贯盛习、 马又良等.行当齐全,剧目丰富.2008年剧院在裴艳玲院长带领下,创排新编京剧《响九霄》,获第 十一届中国戏剧节优秀剧目奖、第十三届文华大奖特别奖、第十届河北省精神文明建设「五个一工程」 特别奖、河北省文化发展「五个一」工程奖,以及为2009至2010年度国家舞台艺术精品工程重点资助剧 目.剧团曾赴美国、加拿大、法国、日本、丹麦、新加坡、非洲和台湾、香港等地演出,广受赞誉. Director's Statement What is the origin of Chinese traditional theater? Where does its path lead to? In answering the questions, PEI Yan-ling, master of Chinese traditional theater, presents four famous traditional excerpts featuring martial classics in Kunqu Opera. With no stage make-up, costumes or sets, she gives the most honest reveal of how she interprets the iconic roles of LIN Chong, SHI Xiu, Nazha and WU Cong. In addition, she also presents Hongyangdong, a piece highlighting the artist's singing skills and capability the most in Peking Opera. Combining the essences of both Kunqu Opera and Peking Opera, PEI Yan-ling will lead the audiences to search for the origin and path of Chinese traditional theater. Collaborating with famous theater director LIN Zhuo-hua from Beijing People's Art Theatre, PEI Yan-ling presents Arts of Chinese Traditional Opera with a unique form of performing to showcase the essence of skills for a traditional theater artist. Pei considers this piece of work as the search for the origin and future path of her career on stage. Once the origin in the past is found, she believes, the path to the future will show. "All roads lead to Rome," she said. "But which one will you take? The development of the traditional theater may be diversified, but there ultimately exists a standard. You will have to find a path of your own." PEI Yan-ling She was born in Hebei Province in 1947. Pei started her career on stage playing the role of an elderly male character in Peking Opera. She has followed the instructions of many traditional theater masters, such as LI Chong- shuai, CUI Sheng-bin, KUO Jing-chun, HO Yong-kui and LI Shao-chun. Pei is known for her virtuosity in a wide variety of roles in both 'civilian' and 'martial' repertoires in Peking Opera, Kunqu Opera and Clapper Opera, and has been awarded with the China Federation of Literature Award and Wenhua Award. Pei has also won the Grand Prize of the Plum Blossom Award for Chinese Theater and the White Magnolia Award for Special Contribution to Theater Performing Arts. Danish director Eugenio Barba from the Odin Theater once commented, "We all love PEI Yan-ling;